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Wednesday, May 12, 2010
Point Reyes Workshop Sponsored by Hasselblad, Epson, SanDisk, Keeble & Shuchat and IncredibleTravelPhotos (June 10-13)
For immediate Release.
Hasselblad, Keeble & Shuchat, Epson, SanDisk and IncredibleTravelPhotos are proud to announce a workshop at Point Reyes National Seashore, starting on June 10th. The workshop gives each participant an opportunity to photograph with Hasselblad H4 and a full set of lenses. Learn, shoot, and postprocess your images with the camera that capture the mood and details of Point Reyes magical place.
At the end of the workshop, you'll leave with a gift bag sponsored by Hasselblad, Keeble & Shuchat, Epson, and SanDisk ... AND a 30"x40" print.
Don't delay your registration as space is limited to 10 participants.
Workshop Dates: June 10th - 13th
Location: Point Reyes National Seashore
Featuring: Each participant will receive a H4D and a full set of lenses to use during the workshop
Registration: Click Here
The Point Reyes nature, landscape and wildlife are a treat for the eyes. We’ll photograph rolling hills, thunderous ocean breakers crashing against rocky headlands, expansive sand beaches, open grasslands, forested ridges, and various roaming and flying wildlife. Embark in a once in a life time adventure equipped with the camera that will capture the mood and details of this magical place. Each participant will receive a Hasselblad H4D to use during the workshop.
Sunday, March 14, 2010
National Geographic pick "Holding Hands" as Best Wall Paper of 2009
Getting recognition on National Geographic for the "Holding Hands" image was pretty exciting. The image was selected as Best Wall Paper for 2009. So, feel free to download it for your desktop wall paper ;-)
The scene was photographed in Lake Clark National Park, Alaska. I have been photographing at this location for the past 5 years (and take people on workshop to this location).
Grizzly bears are North America's second largest land carnivore, after the polar bear. In the Alaskan Peninsula grizzly bears may approach or just exceed 680 kg (1,500 lb). The females are on average 38% smaller, at about 115-160 kg (250-350 lb). 6 months old cubs (like the one photographed) weight about 55 kg (120 lbs) On average, grizzly bears stand about 1 metre (3.3 ft) at the shoulder when on all fours and 2 metres (6.6 ft) on their hind legs, but males often stand 2.4 metres (7.9 ft) or more on their hind legs.
The grizzly's coloring ranges widely depending on geographic areas, from white to almost black, and all shades in between. The grizzly also has a large hump over the shoulders, which is a muscle mass used to power the forelimbs in digging. This muscle is commonly used to dig for their various vegetative food sources. The hind legs are more powerful, however. The muscles in the lower legs provide enough strength for the bear to stand up and even walk short distances on its hind legs, giving it a better view of its surroundings. The head is large and round with a concave, disk-shaped, facial profile. In spite of their massive size, these bears can run at speeds of up to 55 kilometres per hour (34 mph). However, they are slower running downhill than uphill because of the large hump of muscle over the shoulders.
The two cubs were being chased by a male, as the sow was fishing. After running away, they both stood up, touching paws for a few seconds, to see if the big male was still chasing them. The image was photographed with a 500mm /f4 lens putting the cubs about 50 yards away.
As a photographer, I had to make a quick decision on what to focus on. There were a lot of activities happening simultaneously: the sow had just caught a fish, the big male was running full speed towards the cubs and sow, the two cubs were anxiously waiting to be fed, and then the cubs got scared and run away from all these activities.
I did pick the cubs, as it was a continuation of my intent to photograph their interactions over the course of the week. Then, it was a matter of not being distracted by "other shots".
As I mention during our workshops, start focusing on a concept vs. just an image. Empty your mind of images and fill it with concepts. Focus on the emotional response you would like to elicit in the viewer (More of this photography tips are taught during our One Lens One Camera workshop).
Good luck with your photography ...
Monday, February 15, 2010
Two Images Nominated for the 5th Annual Black and White Spider Awards
Feb 14, 2010
I am proud to share with you that two of my images got nominated for the Black and White 5th Annual Spider Awards. These images were made following a workflow (detailed below) which helps me produce them in ways that I always wanted to try but never dared in the past.
Black and White Spider Awards is the leading international award honoring black and white photography. This celebrated event shines a spotlight on the best professional and amateur photographers in a prestigious annual competition and globally webcast event, reaching photo fans in over 154 countries. With a collective Judging Panel of the world's most recognized experts from SOTHEBY'S, TATE, MAGNUM PHOTOS, FRATELLI ALINARI, ARMORY SHOW, HAMILTONS of London and more, the awards are the industry's most authoritative and important photographic event for black and white and mono art.
How it all came together:
Repeat trip to the same location. Mine my subject
Visualize my next photoshoot. Not an image but a concept
Get inspired by the masters and create my own vision
Think "sideway". Push the limit of my technical and creative knowledge
Be efficient when reviewing my images in the field
Pre-postprocessing in the field - "Sketching"
Backup all my data before returning home
When home, review and enhance my "Sketching"
Print and "live" with my images for a while
Select final images and refine the post processing to realize master versions
Further refine my prints
Output my images as print and other medium format
Backup, archive, and store my master images
To learn more about my process/workflow go to http://incredibletravelphotos.smugmug.com/Workshops
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